There wasn’t one. We pitched Eleven Motors on a simple question: what if a car film sold the relationship instead of the machine? The owner said yes and asked for a brief. We went away and wrote one

Film Link

Me and My Friend: A Short film

Every car gets sold like a product: angles, features, a voiceover listing what it does. But nobody buys a car for the spec sheet. They buy it for the life they picture in it: the drive with nowhere to be, the place it takes them, the company it keeps. The script came to me in a coffee shop, waiting for a friend. The car as a companion you can take anywhere.

There wasn’t one. We pitched Eleven Motors on a simple question: what if a car film sold the relationship instead of the machine? The owner said yes and asked for a brief. We went away and wrote one.

A short, simple film about a driver and her car. She stops. She looks at the sun. She laughs. The film lingers on the moments in between, because that’s where the feeling lives.

Client: Eleven Motors Location: Nairobi, Kenya Year: 2026 Role: Concept, script, direction and cinematography Credits: Made by TNBNU Media with Jasmine (Lead Model)

Brand Film. Automotive

Our Work

More Films

Short film

Endurance and beyond

portrait-campaign-card

Brand film

Heart of the Ocean

Questions

Before we talk

Film and story for brands where the feeling is the product.

What do you actually make?

Brand films, short documentaries and stills, and the story underneath them. Every project starts with one question: what should people feel before they’ve ever walked through your door? The film is how we answer it.

Do you only work with camps and lodges?

No. We’ve made films for a jeweller in Zanzibar, a car dealership in Nairobi and a safari camp in the Maasai Mara. The subject changes. The work doesn’t: we make films for things people buy with their hearts first.

How are projects priced?

By the story, not by the minute of footage. After a first conversation, we send a clear proposal covering what we’ll make, how and when, with one fee and no surprises.

Do you travel?

Yes. We’re based between Nairobi and the Maasai Mara, and we’ve shot across East Africa. Travel is planned into the proposal from the start.

Why only three clients at a time?

Because good stories take attention. Working with three clients means we know each brand well enough to tell its story honestly, and each one gets our full focus rather than a slot in a queue.

Do you manage social media?

Only alongside a production engagement, never on its own. Our work is the story and the film. Social media is one of the places it lives.